Playing with my stencils ~

detail of  art quilt ~ by Jane LaFazio

So, you know I have designed a line of stencils, right? Six different botanical themed stencils.

detail of  art quilt ~ by Jane LaFazio

I've been playing with them on fabric.

detail of  art quilt ~ by Jane LaFazio

This piece was created with spraying through the stencil. (You can see the start of this piece here.)

detail of  art quilt ~ by Jane LaFazio

I layered the fabric using my stencils and then hand stitched the designs. I also did some reverse applique, again, using my one of my stencil designs.

detail of  art quilt ~ by Jane LaFazio

art quilt ~ by Jane LaFazio

For these, I used my gelli plate and my stencils to create some cloth for future projects.


Here's another piece, that's nearly finished.

detail of  art quilt ~ by Jane LaFazio

Stenciled on fabric and organza, layered and machine and hand stitched.

detail of  art quilt ~ by Jane LaFazio

detail of  art quilt ~ by Jane LaFazio

detail of  art quilt ~ by Jane LaFazio

detail of  art quilt ~ by Jane LaFazio

detail of  art quilt ~ by Jane LaFazio

This piece was created with my stencils, a gelli plate and a hand cut freezer paper stencil. It's still in progress.

detail of  art quilt ~ by Jane LaFazio

detail of  art quilt ~ by Jane LaFazio

I'm quite proud of my stencils. 

You can purchase them at StencilGirl Products.
  

from my sketchbook ~ tulips

Check out my classes and workshops here.



BeBop helped...

Interviews as Inspiration ~ Cas Holmes

THIS IS THE 8TH OF A SERIES OF INTERVIEWS AS INSPIRATION. I'M INVITING PEOPLE I ADMIRE; ARTISTS, AUTHORS, PEOPLE I KNOW, AND PEOPLE I DON'T. IT SHOULD BE FUN! AND HOPEFULLY INSPIRATIONAL FOR BOTH YOU AND ME.

Cas Holmes 

I discovered Cas Holmes' work when I got her book,  ‘The Found Object in Textile Art’. The book and her style have influenced me greatly! Then, I tracked her down, and bought one of her pieces, because I loved it, and I love to have art work that inspires me. Hopefully Cas will be coming to the US in 2014, and specifically San Diego to teach a workshop. I'm working on it!

Jane LaFazio: Please start by telling us what you do.

Cas Holmes: I am an artist, teacher, and author. All my work is with found materials both in my own practice, in workshops, and beyond. My partner Derek, is unsure of what to 'dispose of' which is just as well as he often gets to use it too. In recessionary times, a sustainable approach to textiles is fast becoming a trend. In my work and my life this desire to re-use is part of an ethical choice.

Cas Holmes studio (and her old Bernina sewing machine)

JL: Where do you live? Describe your home and studio and town.

CH: My home, is a very small 1930's terrace house in Maidstone (in southeast UK). It is furnished, and decorated and with items discovered in charity shops, skips (dumpsters) salvage yards, and even off the street. This is where Derek gets to use his handy skills as a builder with a sculpture training background. Every space is used – shelves are fitted above doors to store books, cupboards are squeezed into small spaces and hide all kinds of materials and equipment. An old oak folding table in my workroom studio lifts to the wall when I need a bigger floor space (or have guests), and when down, it reveals a handy space for dyes and paints. Canvas is placed on hooks to act as movable surfaces for pinning work as it progresses.

Everything made or built for our home carries its own story, something you do not usually get with things mass produced. Our home is one not ruled by conspicuous consumption but rather one whose emphasis is on creating as small as environmental footprint as is possible. Neither Derek or I drive....but in the UK, this is still manageable if you do not live in the country.

Red Bowl by Cas Holmes

JL: Have you always been an artist?

CH: For as long as I remember this is all I wanted to do. An unusual path for someone who grew up on a working class estate in Norwich(outside of England).  A local saying is 'To Do Different' and that combined with Romany Gypsy on my grandmothers side meant I was just a little more determined to set my mind to just that.

Along Peddlers Way by Cas Holmes

JL: Your work has a very strong nature theme, tell us why you are so drawn to that subject. CH: When you walk, cycle, and use public transportation, you aren't isolated. You make direct contact with the physical world and dress appropriately for the weather! I live in an built up area but am next to a park. It gives me a broad range of materials and references to work with both for my own projects and in projects with others. I am drawn to the ‘hidden edges’, the verges of our roadsides, and field edges, the places where our gardens meet the outside spaces.  These simple things of my daily life are inspiration.

Wayside Grasses by Cas Holmes

JL: I love how you combine my three faves, cloth, paper and stitching. What inspired you to combine the three? 

CH: Clothing, plant materials, printed paper, I use whatever I find or am given. This started from need..I had little money to spare when I was studying art and worked evenings in a pub just to ensure I could eat. I love old fabrics. They've been washed so many times the fibers become very receptive to dyes and marks. I like to ‘destroy’ and remake things. My favourite found tool has to be a basic 1970s Bernina sewing machine I recovered from a skip (dumpster). I taught myself to stitch using this old machine and loved the way I could get it to respond to my movements linking drawing with stitch. If I ever lost it, it would be very hard to replace.

Cas Holmes 

JL: Your book, ‘The Found Object in Textile Art’ is one of my very favorite books, and it certainly influenced my work for the better. Tell us a bit about the writing and formulating of the book and the work for it. 

CH: Over many years, like any maker who teaches, I created projects and guides for instruction. We are surrounded by things that are carelessly disposed of and overlooked, such as paper and other things we can gather at our feet. These two things came together when I was approached by an inspired editor at Batsford to put some of this together for a book. I had been asked over a number of years by students about putting a book together. I always said if the right publisher comes along...Batsford/Anova proved to be the right publisher.

working on Tea Flora Tales

JL: You seem to collaborate for some of your exhibitions. And, community collaborations. Tell us about that, and why you do it. 
CH: I remember this quote in a catalogue Reflections about my work sometime ago. I think is is still relevant today:

Being a practising artist and a community artist is a kind of double life but she (Cas) suggests, ‘they are closely interwoven’. The low-tech systems she employs in her personal art practice are flexible enough to be used by people of all levels of skill and ability. It is one of the reasons why her work is accessible to a wide audience. 

Moira Vincentelli (From Reflections catalogue 1999) 

I enjoy the challenge of working on site-specific projects and installations in collaboration with the community and other artists, performers and musicians as it can lead to different interpretations and opportunities for you work. You reach different audiences and learn from this exchange with others. 

Tea-Flora-Tales as part of of my recent exhibition Urban Nature is an example of an ongoing collaboration.

Tea Flora Tales ~ collaborative work

JL: Teaching. What’s your philosophy for teaching? (I ask, because as a teacher myself, I’m always working to better my teaching skills) CH: Be prepared to be challenged and expect those participating in workshops to be challenged too. Encourage people to take risks and stretch themselves. Celebrate what you do but be prepared to make mistakes. All artists makes mistakes but as Picasso states 'Great artists know which mistakes to keep'. Look for the unexpected and play. If you want to create you will make the space to learn.

Sketchbook image by Cas Holmes

JL: What your favorite part of your day? 
CH: I would say morning usually...but my days vary so much that I would find it hard to pin a favourite time of the day...time to stitch or draw is always a best part. I have at any one time 4 or 5 sketchbooks on the go and I am afraid my mind does, in fact, work like a magpie, seizing opportunities and ideas as I go through the day and rejecting those that do not work (or as I say often to my students, 'you can always cut it up and use it again'). I have learnt not to be precious about my drawing and just do it whenever I can...whether in sketchbook or with my machine.

Cas' Sketchbooks

JL: Give us some titles of your favorite books. Any kind~ fiction, non-fiction, or art related. 

CH: Waterland by Graham Swift.  It a a story of the Fens in East Anglia and the descriptions of this flat waterland are stunning.
Corvus A life with Birds by Esther Woolfson a captivating biography of a woman and her crows.
Any art or textile book I have bought would be too endless to list, but a few are:
Washi by Sukey Hughes, Women and Craft by Gillian Elinor, The Subversive Stitch by Rozsika Parker 

JL: Future plans and dreams? 

CH: During the winter 2012-13, I had a rare few days of quiet and time to reflect. I had been ill a year ago and was forced to spend time indoors and almost immobile. I found myself drawn to windows, some old pots and the views outside. I re-looked at this, this winter.I am not sure where it will lead...but I enjoy this aspect of not knowing and seeing the possibilities which may open up. Staying healthy and fit...continue making and teaching..and writing.

from Cas Holmes sketchbook

A few things in the near future include a teaching tour in Australia in March and discussions are taking place for some teaching in the USA in 2014. Urban Nature will have an extended showing at The Beaney, Canterbury Museum, (UK) at the end of 2013. I will be guest artist at the European Patchwork Meeting in 2014. 

And, I'm currently working on my second book, Connected Cloth (co -author Anne Kelly). It's due Autumn of 2013. It will be 'A practical and inspirational guide to setting up and sustaining group textile-art projects, from simple collaborations between friends to ambitious community projects'


www.casholmestextiles.co.uk
www.casholmes.blogspot.com
www.magpieofthemind.blogspot.com

Cas Holmes quilt, hanging on my living room wall 

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You can read my other Interviews as Inspiration here:

Rachelle Archer, expressive arts therapist at a school for homeless
Cas Holmes, textile artist

Mary Beth Shaw, artist and Stencil Girl Products founder

Marcia Derse, textile designer

Lesley Riley, artist and author

Danny Gregory, artist and author

Judy Reeves, writer

Carlo Roberts, The Blue Walk travel company founder

Jane Powell, Random Arts owner 

Online Sketching and Watercolor: Journal Style class

Lesson 1: Sketching and Watercolor: Journal Style 

I've revamped my online class for beginners with a new format/venue that is very visual and wonderfully interactive. Here are two screen shots of what you will see online when you are a student in  Sketching and Watercolor: Journal Style. There will be some videos, pdfs of lessons  like this one and it will be easy to see on comment on your fellow students work, and they on yours. I've limited it to 50 students, and there are about 15 spots left. (I will run the class again in the spring.) I'm also working on new classes and to revamp my others. It's exciting!! Hope to see you online! All the details of the class are here.  

You'll post your work, like this, and we will comment right below it.

Format is 24/7 and you can access the lessons anytime. A new lesson will be released each week. The class will remain open for 8 weeks and I'll comment on every page you do! (You'll need to photograph or scan your work and download it to the lesson page. It's easy!)

from my sketchbook ~ LOVE is the word

detail from my sketchbook ~ by Jane LaFazio

My word for 2013 is LOVE.

from my sketchbook ~ by Jane LaFazio

detail from my sketchbook ~ by Jane LaFazio

detail from my sketchbook ~ by Jane LaFazio

detail from my sketchbook ~ by Jane LaFazio

from my sketchbook ~ winery visit

from my sketchbook ~ by Jane LaFazio

Husb and I sketch together

Husb and I went over to Bernardo Winery to hear the free Jazz concert and do a little sketching. Oh, oh yeah, it's a winery, so why not a glass of wine too.

I did all the ink drawings first, straight to ink, no pencil first

Then I sketched the vine, in water soluble pencil right over the ink drawings. (I didn't mean to have it centered, but oh well. It's a sketchbook!)

When I got home, I knew the page needed something else, so I tried something new. I drew circles in pencil, on the background, then filled them in with different shades of green, in watercolor.


Not the most successful page in the world, but the concept is a good one, and I'll pursue it.

not sure how Buddy feels about it.

The Kindness Chronicles

Helping Hands made for Sandy Hook, CT by my Mundo Lindo students

I received a beautiful thank you note
from a student

Kathleen McKenna Murphy wrote on facebook:

Random act of kindness we are at Dulles international airport, walked by a soldier getting massage, I paid for it....he was on his way back to Iraq after meeting his new baby daughter...feeling good :)

A VIDEO of "My Name is Sam" by Berkley Hart (a great local San Diego band). It's a song about 'the best few minutes." a good reminder for all of us...

I drew on the rocks with Sharpie poster paint pens

my word for 2013 is LOVE

tiny tutorial ~ Sketching and Watercolor: Journal Style

Jenn Mason filmed me last year at CREATE. You know I'm teaching there again this year in Southern California, New Jersey and Chicago. 
And my online Sketching and Watercolor: Journal Style class is open for registration, where you'll get more of this, step by step lessons to print out and save, and of course, critiques from me and accolades from your classmates. Class starts January 24th. Details here.

2013 DVDS, workshops and trips!

Lots going on, as usual! here's an update:

It's nearly here! My new DVD (or download) shows you how to create my Recycled Circles project. DVD: should be available for pre-order starting January 3rd.  The link will be here:

Layered and Fused Applique Quilts ~ From Fabric Scraps to Recycled Circles here.
 

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There are still a few openings in The Blue Mountain Nature Journal, in Maryland in May 16- 20  with me and Lesley Riley at the The Red Thread Retreat.

from my sketchbook ~ Jane LaFazio

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Cover Girl (and on three episodes) Quilting Arts TV Series 1100  on DVD 

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And, CREATE mixed media retreat in Southern California is coming in May and the workshops listings are up. Registration begins January 8 but you can check out the workshops now.

I'm teaching:

• "Text on Textiles: Hand Stitched Quilts" (6 hours) (Wednesday)
• "Machine Needle-Felting: Layered & Textured" (6 hours) (twice: Thursday and Saturday)
• "Free Spirited Free Motion" (6 hours) (Friday)
• "Felt Like Stitching" (3 hours) (Sunday)
  
  

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San Diegans: Registration is open for:

Art Quilt Explorations

4th Sunday of the month ~ 6 sessions ~ noon-3pm

Feb 24, March 24, April 28, May 26, June 23, and July 28

$200 for 6 classes

San Marcos, California at Quilt in a Day. 

Call 800-777-4852. Class fills quickly. 

Each session will be a fresh, new project for a small art quilt. We'll cover surface design, themes, and techniques over the 6 sessions in 6 months. If you can sew on a button, and are interested in creating art with cloth in the company of like-minded creative types, join us! No patterns, ever. 

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And for people who want to travel to San Diego:

The Art Walk~USA

Sketching and Watercolor on location in San Diego, California

January 13-19, 2014   

6 nights, fully escorted, $2850  

In San Diego for a wonderful week-long program on the beautiful southern California coast.  This great city has so much to offer, see, and do, and we'll be exploring the best of it. I'll teach you to draw and watercolor, as we see and enjoy San Diego.  Limited to 10-12 guests.

What's Included: 

¨ Six nights 4-star San Diego Hotel

¨ Full buffet breakfast daily

¨ Jane LaFazio's  program of classes including basic* course materials

¨ Orientation walks in San Diego's colorful neighborhoods

¨ Welcome Dinner in the Gaslamp Quarter

¨ Afternoon Tea Ceremony with Champagne at the Westgate Hotel

¨ All day hop-on hop-off Old Town Trolley pass including 2-hour tour

¨ Local visits to the Gaslamp Quarter, Horton Plaza and Seaport Village

¨ Trips to Balboa Park and the historic Old Town

¨ Visit to Coronado Island including the famous "Hotel Del"

¨ Day trip to the charming north country beach town of Encinitas

¨ Spend Saturday morning at the weekly "Little Italy Market"

¨ Farewell San Diego Harbor three-course Dinner Cruise

¨ All local transportation: coastal trains, trolleys and tour bus

¨ All hotel taxes and service fees

 Details here. Or email  Carlo Roberts 

ONE word for 2013

my facebook friends' words for 2013 ~ graphic by me, Jane LaFazio

My word for 2012 was Preparation. Do go read the post...and I got 295 comments when I asked what my readers think makes a good teacher!  Then, I did a summary of what makes a great teacher.  Keeping preparation in mind throughout the year served me very well. I got more organized and really took to heart the comments and suggestions of my readers and I worked hard to become a better teacher.

“Every moment is enormous and it is all we have.”

~ Natalie Goldberg

So, I thought long and hard about what my word for 2013 would be, and I just kept coming back to LOVE. I tried to come up with some cool, clever, original word, but really, didn't John Lennon have it right? (VIDEO below)

So, my word for 2013 is LOVE.  LOVE for my husband,LOVE for my days, LOVE for my friends,LOVE for my students and LOVE for life.

doodle by Jane LaFazio

How we spend our days is, of course,

how we spend our lives. Annie Dillard